Tuesday, August 6, 2019
How IT is used in Sainsburys Essay Example for Free
How IT is used in Sainsburys Essay Sainsburys was founded in 1869 by John James and Mary Ann Sainsbury. They opened their first small dairy shop at 173 Drury Lane, London. It was so successful that further branches were opened in other market streets in Stepney, Islington and Kentish Town. The firm has expanded gradually over a century and now cover most of the UK with 463 stores nationwide. Recently, the group has expanded in the USA, where it acquired the New England-based Shaws Supermarkets Ltd in 1987 and diversified into banking, with the establishment in 1997 of Sainsburys Bank. The Sainsbury group today is one of the worlds leading retailers, playing a part in the lives of 15 million customers a week and employing over 169,000 people by June 2001. In 1995, Sainsburys was the first British supermarket Company to offer goods for sale from home, which after many trials of different methods has become the Internet Shopping service, Sainsburys To You. The first method of home shopping was introduced in 1995 and was called Order Collect. This was trialled at Sainsburys Solihull store. It involved customers using a personal catalogue to order by fax and then collect their orders from the store. After a small number of further trials into the desirability of home shopping, Sainsburys To You was introduced in spring 2000. Sainsburys re-branded their home shopping service and introduced Sainsburys To You in the London area. Sainsburys To You represents a more personalised online service with a new look website compared with those from the previous trials. The site greets customers by name and has the facility for customers to create and save their own shopping lists. All other areas did not have the home shopping service at this time. Since this time, Sainsburys have expanded their home shopping service. Sainsburys To You is now the second largest online retailer of grocery products with current annual sales around i 110 million. They take over 27,000 orders per week from serving over 71% of UK households. The first major step towards this was the opening of Europes largest and most technologically advanced grocery picking centre in Park Royal, North-West of London, in August 2000. The location of the centre is perfect as it can serve the 7 million people living in Central and Greater London, which represents 14% of the UK households. The centre employs up to 500 staff and has meant it can serve within and beyond the M25 area. In order for Sainsburys To You to be able to respond to the high street demand of home shopping they implemented a more powerful hardware package with the introduction of Sainsburys To You which has meant the service has cut the time spent ordering groceries online by half as well as increased the reliability, general efficiency and security of Sainsburys home shopping sector. The re-branding also included the introduction of new-look deliver vans and staff uniforms. In September 2000 Sainsburys plc decided to outsource all IT requirements to Accenture formerly Anderson Consulting Accenture is one of the worlds leading management consulting and technology Services Company. They employ over 145,000 people in 47 countries. Of these, 60% are part-time and 40% full-time. 62% of employees are women. Today, Sainsburys is Britains longest-standing major food retailing chain. The founders principles are to be the customers first choice for food shopping by providing high-quality products, value for money, excellent service and attention to detail. * A large Sainsburys Supermarket offers over 23,000 products 40% of these are Sainsburys own brand. In addition to a wide range of quality food and grocery products, many stores offer bread baked on the premises, delicatessen, meat and fish counters, pharmacies, coffee shops, restaurants and petrol stations. * Sainsburys Supermarkets serves over 11 million customers a week and as at May 2003 had 535 stores throughout the UK. Nearly 60% of our stores are in town-centre or edge-of-centre locations, many of these built on previously derelict sites. Sainsburys home shopping history Order Collect: Sainsburys remote shopping trials began in 1995 with an Order and Collect service at Sainsburys Solihull store. Customers used a personal catalogue to order by fax and then collected their orders from the store. Orderline: Sainsburys Orderline service began in March 1998. Following trials and research, Orderline was trialled at nine stores in the London area. Sainsburys to you: Spring 2000, Sainsburys rebranded its home shopping service for existing customers in the London area. Sainsburys to you represents a more personalised online service with a new look website (www. sainsburystoyou. co. uk). The site greets customers by name and has the facility for customers to create and save their own shopping lists. With a more powerful hardware package, the service has cut the time spent ordering groceries online at Sainsburys by half. The rebranding also included the introduction of new-look delivery vans and staff uniforms.
Monday, August 5, 2019
The Concept Of Happiness
The Concept Of Happiness However dull ones life may be there are times when one cannot help but question the meaningfulness of it. The subject of death is often a prime example of how people begin to question the value of life. Death usually brings people down and it makes them wonder if there is a meaning to existence or whether the recently deceased found it. In such situations, most of us turn to questions such as: What am I doing here? Am I happy? Am I doing the right thing? Am I making a difference? Hopefully one does not need to face such extreme events in order to question the meaning of life. In Nicomachean Ethics, Aristotle expresses his opinions about the function of the human being in an attempt to show that the human good is activity in accordance with reason, and in turn this alignment alone is responsible for our happiness which in his view is the highest good, a self sufficient and final goal for any human being. Along the same lines, in The Experience Machine, Robert Nozick is addressing a similar issue, by arguing that pleasure is not the only thing which matters to us and brings to our attention the fact that there are other factors which contribute to our well-being. In this paper I will explain the arguments of both Aristotle and Nozick by exploring the concept of happiness, its role in morality and what I understand through ones function of living a happy and moral life. Soon after reading some Aristotelian material, one cannot help but notice that Aristotle was a man of science, a very analytical man. It seems that he deeply enjoyed putting things into categories of belonging. Things like the four causes, things like his classification of things that are inorganic and living, and the list goes on. The same applies for his work, Nicomachean Ethics, and as the name implies, this is as close as we can get to Aristotles code of moral values. Aristotle felt that virtue and being active were a means to happiness, which he believed to be the universal goal of every human being. However, since we are all different, every person has a unique way of achieving happiness and he starts his argument by bringing this issue into focus. He sets out to investigate what does happiness really mean? Does it mean a warm cup of tea, a healthy family or perhaps a good looking partner? Happiness means many things to many people, and that brings into question the meaning of true happiness and what makes something true happiness. Aristotle says that the good we are looking for is apparently one thing in one action and another thing in another, (NE 106a15-17) thus we have to identify which is the good in each of these cases (1096a17-19). Aristotle uses medicine as an example where the good would be health, or generalship where the good would be victory, but in every action and decision it is the end, since it is for the sake of the end that everyone does the other things (NE 1096a20-22). Some, may find this argument problematic and could say that sometimes we do things without a set goal in mind, and rather do them just for the sheer joy of it, but I disagree. Aristotles point seems to be applicable in every situation, since even if the good is not obtained as a distant goal but rather as an immediate reward, or at the same time as the action is performed, his argument still holds. For example, listening to music or walking my dog results in pleasure form just the activity alone, in the very moment that the action takes place. He then proceeds to explain that the highest good has to be complete and cannot be for the sake of something else as that would imply that the latter would become the highest. Aristotle says that it must be something complete and self-sufficient, since it is the end of the things pursued in action (NE 1097b21-22). This also seems like a very sound point to me. If there is such a thing as a highest good, then we can easily imply that it should be complete and sufficient in itself in order to make a life choiceworthy (NE 1097b15). While reading Nicomachean Ethics, I could not help but wonder if Aristotle ever realized the irony of this vicious circle we seem to be caught in. Most people live life by going from one compensation to another, trying different experiences, looking for a lover, wife or husband, career or money. I strongly believe that one must realize that these are just learned concepts and not something we are born with, and the same applies for our morality. It seems like we have a constant need to fill our lives with content, in order to keep us busy and to give us some sort of identity. Its quite easy to see the cycle that most people constantly go through: One feels empty and suddenly desire arises; soon after compensation comes, boredom sets in and then again one feels empty. I think we should strive to realize that it is not the object acquired that gives satisfaction, but rather that we are satisfied once were at peace, not needing anything. It seems to me that satisfying desire is only a temporary solution and once the initial excitement associated with the new acquisition is fading, the need to acquire arises again and again. This only turns life into an addicting habit, and while I do believe in true happiness I doubt it can be achieved this way. Nozicks philosophy is similar to this analogy, but rather than just arguing his point methodically, Nozick starts off by laying out a thought experiment. This experiment revolves around a hypothetical machine called the experience machine which is supposed to create a stimulated reality for any person that connects to it. The machine will then allow the user to experience various pleasures determined for each person by their own individual desires. In this hypothetical experiment, one would only have to be outside of the machine very briefly, in order to program the desired events and experiences for the next upcoming years of ones life. Another possibility would be for one to map out his entire life in the machine based on a very carefully conducted survey by superduper neuropsychologists which would guarantee a pleasant experience without having to ever leave the machine (EM p.606). Further, Nozick asks us to overlook certain concerns that would arise, such as who would run the machine if everyone would be plugged in, as it would not change the purpose of the experiment. He then asks: if presented with a choice would you choose to plug in? (EM p.606) Nozick opposes the question using a few distinct reasons, namely: we want to do certain things, and not just have the experience of doing them (EM p.606); we want to be a certain sort of person and we dont want to be limited to a man-made reality, to a world no deeper than that which people can construct. (EM p.607) In short, Nozick argues that, if plugging in to the experience machine provides more pleasure, we should simply follow this idea; however that will only happen if pleasure is all that matters to us. Nozicks own reply is that we would not choose to connect to the machine, and thus he concludes that pleasure is not the only thing that matters to us. I believe that, the answer provided by Nozick for his own hypothetical experiment, only sounds like a choice one would make simply because it appeals to the human biases against things which are considered artificial. Simply put, a person will not opt for an artificial reality if given the choice, even if it was an ecstatic experience but that does not mean that one is not seeking pleasure. It may as well be that, the psychological gratification received from knowing that one is living a real life is more rewarding than an artificial but pleasant experience. If we carefully examine the values that people hold we can see how they are just a different form of pleasure. Certain people would easily get pleasure because theyve turned down this machine and feel good because theyve made the right choice. Just because the psychological pleasure one may feel because of the choice made is more subtle than some ecstatic experience, it does not mean that it is not pleasure that one seeks. In my opinion, we are often faced with trials during the course of our lives. These trials sometimes change us and our perception of what life really is, which is what I understand through Aristotles function of a human being. He believes reason is what separates us from plants, animals and just about everything else. He calls the man who only identifies with human enjoyment vulgar, because while pleasure is related to happiness it is not the highest good, since one can feel pleasure but might not be happy. To me, this sounds exactly like Nozicks line of thought, but to be honest I dont think Nozicks experiment proves this argument. I believe his experiment may prove that there are several forms and types of pleasures, of which some are very subtle, but Im not convinced of how his experiment is showing that we choose other things over pleasure itself. At most, I believe it shows that we like the idea of achieving something ourselves rather than it being given to us, but then again, achievement is just another form of pleasure in itself. Aristotles function argument also states that our unique human function is the use of reason. According to him, playing the harp is a harpists function, and is the same as the function of an exceptional harpist. When virtue is expressed and added to the function, the harpists function becomes playing the harp, while the exceptional harpists function is to play the harp well. Each function is not considered complete until it expresses proper virtue and a degree of excellence (1098a11-16). Aristotle says that virtue is acquired through the practice of any given function, and that people are born only with the potential of being virtuous, yet they must act accordingly in order to acquire it. As I see it, Aristotles human function argument is a solid moral code that we should all follow. Given the use of reason is a primary requirement, everything one does needs to be analyzed, needs to make sense and needs to be channeled towards achieving happiness. If everyone strives towards the good with this in mind it is hardly possible to do harm or injustice to someone else for selfish or superficial reasons. I believe this is exactly what Robert Nozick was aiming toward in his work as well. My opinion is that life should be accepted as a gift which was given to us or an opportunity rather than striving to turn it into a race of satisfying desires and fulfilling ideas or concepts. I strongly believe life should be simply lived in harmony with everything around us and I would encourage anyone to consider the idea that life is not happening to us, but rather that we are happening in life.
Sunday, August 4, 2019
Inhibitory Or Excitatory Potential Changes :: Biology Biological Papers
Inhibitory Or Excitatory Potential Changes Graded potentials can be either hyperpolarizations (inhibitory) or depolarizations (excitatory). Inhibitory postsynaptic potential, also referred to as IPSP, is the temporary hyperpolarization of a membrane. An inhibitory postsynaptic potential occurs when synaptic input selectively opens the gates for potassium ions to exit the cell (carrying a positive charge with them) or for the chloride ions to enter the cell (carrying a negative charge with them). Inhibition is not just the absence of excitation, it is an active brake that is able to suppress the excitatory responses from occurring (Kalat, 2004). Excitatory postsynaptic potential, also known as EPSP, is a graded depolarization. As a result of sodium ions enter the cell, excitatory postsynaptic potential occurs. As a result of the synaptic activation, the sodium gates open, allowing an increase in the flow of sodium ions crossing the membrane. Excitatory postsynaptic potential is a subthreshold event that decays over space and time, meaning its magnitude decreases as it travels along the membrane (Kalat, 2004). Lithium has both inhibitory and excitatory features. Evidence has shown that lithium alters sodium transportation (http://www.mentalhealth.com). In the extracelluar fluid lithium may replace sodium. During the process of depolarization lithium has an extremely rapid intracellular influx. Although, it is not effectively removed by the sodium-potassium pump. According to Kalat (2004) the sodium-potassium pump, "[is] a protein complex that repeatedly transports three sodium ions out of the cell while drawing two potassium ions into the cell" (p. 41). As a result, it prevents the cellular reentry of potassium. This interferes with the electrolyte distribution across the neuronal membrane, resulting in a decrease in the membrane potential, changes in conduction and neuronal excitability. As measured by cortical evoked potential, for humans lithium alters the excitability of the central nervous system (http://www.mentalhealth.com). Lithium enhances the uptake of norepinephrine and serotonin into the synaptosomes, thus reducing their action. Lithium also reduces the release of norepinephrine from synaptic vesicles and inhibits production of cAMP. "Lithium inhibits the synthesis of cAMP by the adenylyl cyclase in many brain regions, including the cerebral cortex, caudate, and hippocampus, but not the brain stem or cerebellum" (Feldman, Meyer & Quenzer, 1997). "The inhibitory action of lithium on NE-sensitive adenylyl cyclase is a consistent finding, but lithium clearly has distinctive effects on the adenylyl cyclase that is coupled with receptors
Ecstasy and the Youth :: essays research papers
à à à à à Rave as a Post- Modern Phenomena is continuing to increase is size. Every year more teenagers discover the potential of this way to have fun. They suddenly feel part of something, which they enjoy. However, the rave phenomena primarily depended of taking the drugs. Unfortunately, like any other culture, or cult hippies is self-stupefying. This means that the ignorance of the Ravers maintains as the existence of Raves. Those who become part of such drug taking culture, the problem often intensified, due to the lack of sport with in the raving community, who are still having too much fun. This is made worse because, there is also a lack of support in the community for the victims of recreational drug abuse. à à à à à Rave culture is highly attractive to the youth audience in general, regardless of class or ethnic background. Raves are non-elitist, and are primarily for the working class. This makes Raves quit different from all other postmodern sub-cultures. The legalization of a Rave has not prevented the illegal taking of the drugs. This means that there are a lot of young people indulging in Rave culture and recreational drug taking every weekend. à à à à à Rave has provided an environment where drugs like ecstasy are socially acceptable. Rave like other cult is self-stupefying and refuses to question the taking of the drugs affecting its continual and successful existence. ââ¬Å"Recreational drug users often see only benefits only from drug use and at this stage will have control over the drug taking, despite using drug on regular basis. However recreational drug use does not mean problem free drug use. For this reason it is vital to raise awareness about some of the known effects of the drug use. Both within the raving community and the general public, after all the young Ravers of today a whole generation, who will ultimately affect the future of the country? à à à à à Many young people feel Ecstasy allows them to stay in control unlike alcohol. In an article by Sheila Henderson she particularly emphasisââ¬â¢s the attraction of Ecstasy and the E-culture for young women. She suggests that women felt that being in an environment where every one was on Ecstasy, rather than say alcohol, freed from unwanted sexual attention from men. She state, ââ¬Å"Instead of being tied to a boyfriend, having to stick close to friends, feeling self-conscious about appearance or dace style or intimidated by attention from men, the young women occupied this social space with confidence, circulating and meeting new people independently.
Saturday, August 3, 2019
Bejamin Franklin -- A Life Of A Great Man Essay -- essays research pap
Benjamin Franklin During the period after America's "birth" there were many incredible people but none more so than Benjamin Franklin. Ben is considered one of America's greatest citizens. He accomplished many things in his lifetime; he was a scientist, an inventor, a politician, a printer, a philosopher, a musician, and an economist. In the 1700s, a scientist was someone who thought about the way things work and tried to figure out ways to make things work better. Every time Ben Franklin saw a question and tried to answer it, he was a scientist. Ben is most famous for his questions about electricity, but he also experimented with many other ideas in nature. Ben did many studies on electricity, not just lightning. Franklin received an electricity tube from his friend Peter Collinson and began to play around with it, performing a vast amount of experiments (FISM). However, it is Ben's interest in lightning that is best remembered. Ben hypothesized that lightning was an electrical current. To test his theory he needed to see whether or not lightning would pass through metal. So he attached a metal key to a kite and flew it in a storm. His experiment proved that lightning was a stream of electrified air, known as plasma (Lemay) Ben realized that lightning was immensely powerful, so he invented the lightning rod. After Franklin did many studies with lightning and electricity, he realized it was a very powerful force. It was this that motivated him to invent the lightning rod. The lightning rod is a piece of metal attached to a building, house, boat, etc. When lightning strikes the building the rod will attract it and channel the electricity down to the ground where it will do much less damage. This invention has help protect buildings of today greatly. In 1743, Ben Franklin was watching a storm move in. He wondered why the storms were moving the opposite direction from where the wind was blowing. Franklin believed that a storm course could be plotted. Ben chased the storm on horseback à ¾ of a mile to see how it worked. He later printed weather forecasts in his almanac (FISM). In his travels across the Atlantic Ocean he became interested in ocean currents and shipbuilding. He measured temperatures on each of his eight trips to Europe and eventually plotted a Gulf Stream. Ben was one of the first people to work on gulf streams (FISM). In November... ... seventeen, he was a fully skilled printer able to work in any print shop. With this skill, Ben was able to leave Boston and find work in both Philadelphia and London. In 1728, at the age of twenty-two, Franklin opened his own printing office in Philadelphia. He published a newspaper called The Pennsylvania Gazette and his annual Poor Richard's Almanac (Esmond). He published cartoons and illustrated news stories, and letters to the editor. He believed in the power of the press, using his printing press as a way to bring the news to all people. He used cartoons and pictures so that everyone could understand the news, especially to people who had not learned to read. In 1731, Franklin set up the first ever circulating library where people could checkout books so they could read even if they couldn't afford to buy books (FISM). Ben Franklin had many other ideas about our nation. His essays and books about the economy help shape it to what it is today, he strictly believed in hard work. There was no shortage of that in his life; Benjamin Franklin is clearly one of America's greatest citizens. We honor him as one of our founding fathers and his face is on the one hundred-dollar bill.
Friday, August 2, 2019
Material Science Essay
Abstract In this assignment I will be defining the 3 essential properties of every material and describing those. I would also be describing how silicon-based semiconductors revolutionized computing. I will also define what microchips are and how they relate to integrate circuits. Since the pressing questions about the increasing ability of computers to quickly process large amounts of information is whether a computer can be built that is considered ââ¬Å"aliveâ⬠or ââ¬Å"conscious.â⬠I will also be defining artificial intelligence and telling the difference between the human brain and the central processing unit of a computer. Material Science There are three essential properties of every material that scientists use as a foundation for most every study. First it is the kind of atoms that is made up from the material. There are the neutral elements and the compound elements. The neutral elements would have the identical amount of protons and electrons; this would essentially terminate one another, which would leave the protons and electrons neutral. The compound element is when there is a combination of more than one element. The atoms are second in the way that they are arranged. A great way to explain this is by relating atoms of liquid and atoms of solids. For example the atoms of liquids move around allowing the atoms of solids which are packed together. The way that atoms are attached together is number three. These are the key properties when understanding the study of materials. The strong point of the material, this is the capability to endure forces being useful to it without breaking, this is first. The materials elasticity is second, which is the capability to flex while returning to its original form. Number three is the materials plasticity; this is the ability to change its shape forever. Thanks to the starter of semiconductors, computers have developed over a billion times faster than one of the first built in 1946 (ENIAC). Describe how silicon-based semiconductors revolutionized computing. Since silicone semiconductors are capable to move easily through the solid component it is more proficient than copper based conductors. Silicone based conductorââ¬â¢s makes holes which produces and fills a space constantly. This means electrons jump from one atom to another. This will also change the silicon through a process called doping by adding either phosphorus or aluminum the desired effect is achieved. When adding phosphorus to silicon it develops n-type which is negative-semiconductor. When adding aluminum to silicone it develops p-type semiconductors. These are both essential parts functions efficient electrical devices microchips, which are used in computers. Microchips are positive and negative type semiconductors. Microchips do a detailed function. A microchip is individual diodes and transistors will play a big part of the essential function in modern electronics, although these strategies have been mainly replaced by much more complex arrays of P- and N- kind semiconductors, known as microchips. Microchips may join hundreds or thousands of transistors in one integrated circuit, particularly intended to do a specific role. They are related to integrated circuits this is why. Combined circuits (microchips) are the main component in devices such as microwave calculators, and other devices. An integrated circuit microprocessor lies on modern technology. Modern technology is occupied with electrical integrated circuits. Such as, Televisions, MP3 players and computers all contain integrated circuit which allows them to perform specific functions. Also known as microchips or microprocessors, these circuits keep track of all the information being transferred within the device, in essence giving it life. Jack Kilby and Robert Noyce are both who take credit with inventing the integrated circuit, both coming up with the idea within a year of each other while working for separate companies. Artificial Intelligence is a division of science which deals with helping machines and finds explanations to complex problems in a more human like manner. This normally contains borrowing features from human intelligence, and applying them as procedures in a computer friendly way. A more or less well-organized approach can be taken depending on the necessities recognized, which impacts how artificial the intelligent performance seems. (http://ai-depot.com/Intro.html) The 2 essential differences between human brains and the central processing unit of a computer is the brain-computer metaphor has served intellectual psychology well, research in intellectual neuroscience has revealed many significant changes between brains and computers. Escalating these differences may be crucial to understanding the mechanisms of neural information processing, and eventually for the creation of artificial intelligence. (http://scienceblogs.com/developingintelligence/2007/03/27/why-the-brain-is-not-like-a-co/) One difference is that brains are analogue and computers are digital. For instance one of the primary devices of information communication appears to be the amount at which neurons fire a fundamentally unbroken variable. Likewise, networks of neurons can fire in relative synchrony or in relative confusion; the coherence affects the strength of the signals received by downstream neurons. Lastly, inside each and every neuron is a leaky integrator circuit, composed of a diversity of ion channels and endlessly changing membrane potentials. (http://scienceblogs.com/developingintelligence/2007/03/27/why-the-brain-is-not-like-a-co/) Another difference is short-term memory is not like RAM. While the superficial similarities between RAM and short-term memory encouraged many early intellectual psychologists, a closer examination reveals strikingly important differences. Although RAM and short-term memory both seem to required power, short-term seems to hold only to long-term memory however. RAM holds data that is Isomorphic which is having similar appearance but different ancestry. Not like RAM, the capacity limit of short-term memory is not fixed, the capacity of short-term memory seems to vary with differences in processing speed as well as with expertise and understanding. (http://scienceblogs.com/developingintelligence/2007/03/27/why-the-brain-is-not-like-a-co/)
Thursday, August 1, 2019
Why Are Children Used as Protagonists in Iranian Cinema?
i SAE Institute London Written Assignment WHY ARE CHILDREN USED AS PROTAGONISTS IN IRANIAN CINEMA : A LOOK INTO MAJID MAJIDIââ¬â¢S ââ¬ËTHE CHILDREN OF HEAVEN ââ¬â¢ (1997)? Iman Yusufali 15346 FF1011 20 August 2012 Word count: 3300 approx. ii DECLARATION: I hereby declare that I wrote this written assignment on my own and without the use of any other than the cited sources and tools and all explanations that I copied directly or in their sense are marked as such, as well as that the dissertation has not yet been handed in neither in this nor in equal form at any other official commission. Date: 20 August 2012 Place: London, U.K. Signature: IMAN YUSUFALI iii Table of Content Title Page Declaration Page Table of content Essay Reference List i ii iii 1 7 1 WHY ARE CHILDREN USED AS PROTAGONISTS IN IRANIAN CINEMA : A LOOK INTO MAJID MAJIDIââ¬â¢S ââ¬ËTHE CHILDREN OF HEAVEN ââ¬â¢ (1997)? Iranian cinema has numerous successful movies that have been viewed internationally, th at use children as protagonists and child heroes who have to go through daily life struggles. These films include ââ¬ËChildren of Heavenââ¬â¢, ââ¬ËColour of Godââ¬â¢ by Majid Majidi, ââ¬ËThe White Balloonââ¬â¢, ââ¬ËMashq-e Shabââ¬â¢ (homework) by Kiarostami and Ab Bad Khak (water, wind, dust) by Amir Naderi.The innocence of a child and the impromptu acting is sure to affect the way the story is told and witnessed by the viewers. Therefore what we are going to explore in this essay is what children could possibly represent and symbolise in films, why Iranian cinema in particular has used this notion of child-hero and we will also be analysing Majid Majidiââ¬â¢s film ââ¬ËThe Children of heavenââ¬â¢ (1997) step by step, how he uses children as protagonists and what they represent in film.Ultimately, we will understand the effect of using the child-hero in films and how the audiences interpret the film. Moreover, we shall be considering what children sym bolize and represent in films and what they convey through their naturalistic performances. Additionally, we examine how the Iranian cinema changed post revolution and in what ways the filmmakers were forced to conform to the censorship prohibitions laid down by the strict government of Iran.Likewise, we will be analysing Majid Majidiââ¬â¢s Oscar nominated film from 1997; ââ¬ËThe Children of Heavenââ¬â¢ and how it conforms to these censorship laws, as well as its success in being able to attract a large international audience simultaneously, who could relate and sympathise with itââ¬â¢s child-hero, Ali. Using sources and references such as the World Wide Web, journals, books and reviews we arrive at our conclusion.It might not make sense why these questions in particular need to be answered, however my personal experiences living in Iran, my interest in Iranian cinema and my knowledge of the Persian language would be the first reason as to why this topic was chosen. Seco ndly, I strongly believe these are questions that one needs to consider and research whilst studying digital filmmaking, since using a child hero instead of an adult hero could have a major impact on the way a message of a film and the emotions within it, are communicated and perceived.This will result in the realization that a tainted adult cannot communicate the same messages and performances, as a pure child is able to. 2 Many films worldwide use children as lead roles in their stories; as has been seen in Hollywood, Bollywood, Iranian and Italian cinema in films such as, ââ¬ËHugoââ¬â¢ (2011), ââ¬ËTare zameen parââ¬â¢ (2007), ââ¬ËChildren of Heavenââ¬â¢ (1997) and ââ¬ËBicycle Thievesââ¬â¢ (1948). Why use children as protagonists? Is it not possible for adults to play the hero instead?Children have a sense of realness about them, a world of their own not yet tainted by adult distrust, dishonesty and disbelief. Children symbolise an untouched reality not inf luenced by the world as yet. (Marco Grosoli, 2011) Children have an independent life off set that gives them a feel of realism thus allowing audiences to trust their performances and actually believe and empathize with them. (Richard Tapper, 2002) This trueness gives children a sense of being ââ¬Ërealââ¬â¢ and part of the common people thus portraying how people are or what people should really be like. Richard Tapper, 2002) Children are frequently used to scrutinize the grown-up world in addition to a world of their own. (David Morrison, n. d. ) Thus, it seems that children are not always valued for their child like ways but sometimes for their prospective great future in the mature world. (Iris Shepard, 2010) Kathy Jackson author of Representations of the Child in American Film also suggests that a child generally represents a hopeful future while an evil or demonic child would represent the evils of a society at large. Iris Shepard, 2010) The pureness of a child is a mere r eflection of a tainted grown up person. (Marco Grosoli, 2011) Perhaps it is the fact that they are so impulsive in their ways and are more adaptable and less self-aware in front of the camera that children are a means in films to show reality. To put things into perspective, children are ââ¬Å"naturals at being natural. â⬠(Jonathon Jones, 2000) hence these ââ¬Ëreal peopleââ¬â¢ enlighten audiences with real messages. Their own past life experiences affect their performances in being even more credible.From what we have said so far, one can gather that children can represent good and evil but all in a convincing and realistic manner. Children can symbolize society and even peopleââ¬â¢s alter egos. (Richard Tapper, 2002) We now have a brief idea as to why filmmakers would use children as protagonists, how their performance effect the audience and in what way they understand the story, this would then leads us to our next question why did Iranian cinema use this method?Th e evidence to suggest that Iranian cinema had a tendency to use child protagonists comes with the sheer volume of films made with this concept. Amir Naderiââ¬â¢s Davandeh (the runner)(1986) and Ab Bad Khak (water, wind, dust)(1987), Abbas Kiarostamiââ¬â¢s Khaneh Doust Kojast? (Where is my friendââ¬â¢s house? )(1986) tells the story of a child who is caught up in a inconsiderate adult world and in his Mashq-e Shab(homework)(1987), a documentary about the schooling structure, Kiarostami sat in conversation with the children.In Gal(Scabies)(1987), Abolfazl Jalili tells us about the trials of a young delinquent in prison and, Raqs-e khak(dance of dust)(1991), explores into the realm of child labourers, these films are just the films that got international acclaim excluding the many more films made with the concept of a childhero. (Rosa Issa and Sheila Whitaker, 1999) As to the reason behind this type of story telling, we will have to discuss and explore further into the Iranian society.Iranian filmmakers, especially post revolution throughout the 1980s, have had a hard time with governmental regulations to be able to make films according to their own visions and directorial style. This is when children became an elemental part of the Iranian film industry. (Rosa Issa and Sheila Whitaker, 1999) 3 One might wonder why a sudden shift came about during and after the revolution, it seems the revolution itself, the occupation of US embassy and the 8 year war between Iraq and Iran had serious implications on the Iranian cinema and what was directed and produced in the country.Resulting in the Iranian cinema being influenced by Islamic rulings, an anti-western outlook and propaganda. The afore-mentioned incidents created a shift in the worldââ¬â¢s perception of the Iranian people. The outside world now saw the Iranian people as cruel and barbaric, all this only from the lack of communication with the outside communities. Accordingly, cinema was the only method in which Iran could paint a completely different, more humane, vision of the Iranian people to the rest of the planet. Hamid Reza Sadr, 2006) Limitations employed on certain topics such as the illustration of love interactions between opposite genders and violence, added to the trend of substituting adults with children as heroes (usually playing the roles of brother and sisters). The children are sometimes were even allowed to sing songs in child hero films, which is still forbidden in Iranian films till today. (Rosa Issa and Sheila Whitaker, 1999) The child-hero movies are to a certain extent, a channel through which filmmakers sidestep restrictions that they would have had with adult-hero movies. Jonathon Jones, 2000) Some films like ââ¬ËThe Appleââ¬â¢ (1998), are seen by Times magazine as a masked confrontation on the mullahs, with the children signifying the new young Iranââ¬â¢s refusal to allow further religious control. (Jonathon Jones, 2000) Thus, children were als o used to symbolize the youth of the whole country at large in their political positions. Furthermore, making viewers and audiences relate to the subjection of a child makes them in turn able to engage with the nature of the Iranian society and what it means and feels like, to be as subjected and as helpless as the child in the film. Jonathon Jones, 2000) Hence, children were not only used to symbolize the young Iranââ¬â¢s political and social positions but to actually make the audience understand and identify with the feelings that come by living in such a society. The recurrent hire of kids as actors is double in its implication as Persian filmmakers use the theatrical and melodramatic abilities of kids by showing them as troubled by destitution and unjust policies. Nevertheless, the use of youngsters is likewise a method that permits directors to evade those strict censorship laws that relate explicitly to the depiction of men and women in films.In movies like Majid Majidiâ⠬â¢s Bache-ha-ye Asman (Children of Heaven, 1997) and Rang-e Khoda (The Colour of Paradise, 1999), the relationships featured are often pairs of young brothers and sisters who together must overcome the rigid dictates of their parents. Therefore, the purpose of children in Iranian cinema is inconsistent: they are, in one way used to evade the strict censorship laws and prohibitions that come with making films in Iran but simultaneously these children are shown to be restricted by the same system. Rosa Holman, 2006) Many films are arranged against a vivid natural setting to add gravity to the storyline (Linda Aronson, 2001), which in turn exaggerates the inner and emotional occurrences of the hero in a film. Likewise children can be used as symbols whose external battles and experiences relate to the broader problems in society. (Rosa Holman, 2006) Another possible reason for the placement of children as protagonists in Iranian cinema, would be that children are less likely to be ju dged because their performance embodies individual incidents and intimate sentiment.This emotional performance brings the audience to believe what they are seeing is the ââ¬Ëreal worldââ¬â¢. This in turn leads the audience to empathize with the struggles of the child not as the childââ¬â¢s but as their own. Consequently, taking out all sorts of social illnesses within the audience and giving them a sense of communal understanding. (Richard Tapper, 2002) 4 The use of children to manipulate the mature audienceââ¬â¢s feelings is a method that has been long used by Iranian filmmakers. Rosa Issa and Sheila Whitaker, 1999) Also this approach, of a child being a hero, portrays them as greater symbols of men and women and even sometimes as ââ¬Å"everyoneââ¬â¢ alter egosâ⬠. (Richard Tapper, 2002) However it appears that the filmmakers in Iran did not employ the notion of child hero in their stories, merely to evade censorship prohibitions or to get the childrenââ¬â¢s natural performances on camera. Having children especially in Iranian films let the international viewers delve deep into a childââ¬â¢s world, whose lives and lifestyles may be very different from the viewersââ¬â¢, but whose concerns is one in the same universally. Hamid Reza Sadr, 2006) Perhaps, in a childââ¬â¢s universe time is unlike that of time in an adultââ¬â¢s world i. e. the concept of time is not that of the real world it is more adaptable and more changeable, it can be still entirely or can be fast-forwarded just like a film. It is the quintessence of childââ¬â¢s play where even a ââ¬Å"boy blowing a bubbleâ⬠can hold the time in suspense just to enjoy that very moment and not let it pass by. Jonathan Jones, 2000) The comprehension of why the child-hero was used so widely in Iranian cinema leads us to our last point of discussion: An exploration of the use of child protagonists in Majid Majidiââ¬â¢s film, ââ¬ËThe Children of Heavenââ¬â¢ (1997) . After having watched the film, it is apparent that Ali, the child protagonist in ââ¬ËThe Children of Heavenââ¬â¢ has represented all that a child should represent in film, from his au-natural acting to his innocent tears we see so very often throughout the film.In the adult world, we separate children from ourselves as not being able to feel or go through the same emotional and spiritual experiences as we do. Also as grown ups one feels that children have it easy in life and are not as affected by daily problems and issues. However, Majid Majidi in this film illustrates to Iran and the world that children in fact are more receptive to emotions and have a heightened sense of fear and distress than we as adults, realise. (Maria Garcia, n. d. ââ¬Å"The young hero of Majid Majidi's â⬠Children of Heavenâ⬠is played by Mir Farrokh Hashemian, a desolate-looking boy with huge brown eyes and a way of sending tears suddenly rolling down his cheeks. Those tears well up with some regularity during this film about 9-year-old Ali, his younger sister Zahra (Bahareh Seddiqui) and their scheme for sharing a pair of his tattered sneakers. â⬠(Janet Maslin, 1999) We see such depictions of high emotions every time Ali cries or feels guilt or strives to recompense for his sisterââ¬â¢s lost shoes.The first time this is shown in the movie is in the beginning when Ali loses his sisterââ¬â¢s shoes and goes looking for it under all the wooden vegetable cartons and even though he is shouted at cries and tells the grocer that his sisterââ¬â¢s shoes were there and now they are not there any more. (Majid Majidi, 4:50, 5:19) The second time we see Ali troubled with the burden of losing his sisterââ¬â¢s shoes is when he comes back home, stops and looks at his sisterââ¬â¢s smiling face. At first he does not have the heart to tell her but she goes to look at them and he is forced to tell her the truth.Both children start crying here. Zahra, Aliââ¬â¢s s ister, cries because she does not know what she will wear to school the next day and Ali cries because heââ¬â¢s looked everywhere and feels guilty and knows his father cannot afford to buy a new pair of shoes and pleads with Zahra not to tell their mother and to make up runs back out of the house and goes back to the grocers bravely to look for the shoes even refusing to play with his friends at their request. (Majid Majidi, 6:48, 6:50, 7:10, 7:15, 7:21, 7:26, 7:45, 7:50, 8:00, 8:20, 8:40, 9:15) 5Yet again we see Ali crying because his father tells him off for running out of the house and not waiting to help his mother. Aliââ¬â¢s father tells him he is now 9 years old and grown up that he needs to be more responsible. All Ali can do is cry out of guilt and fear even though he is doing his best. (10:42, 10:50) Even when Zahra threatens to tell their father, Ali tries to explain to her that this will cause more damage then her having no shoes as he has no money to buy her new sh oes. So he being a loving brother suggests they share shoes and in tries to compensate by giving her a brand new pencil. Majid Majidi, 14:30, 15:08, 15:30, 15:49) Aliââ¬â¢s emotions get the best of him when he becomes agitated with his sister for coming late and in turn making him late for school. This happens because Ali is afraid of being caught by the principal of the school who always seems to be lurking around to catch late children. (Majid Majidi, 19:24, 19:36, 20:38) When Ali comes back home Zahra expresses her distaste of the dirty shoes and says she just cannot where dirty shoes. Ali who simply says, ââ¬Å"Weââ¬â¢ll wash itâ⬠, solves this issue making his sister smile.He knows how to make his sister happy without getting caught by his parents. (Majid Majidi, 21:15, 21:31) On the television there is a program informing the viewerââ¬â¢s dangers of not wearing the proper type of shoes and this makes Ali worry about his sister. (Majid Majidi, 23:25, 23:38) Zahra cannot sleep at night because she is worried the rain might wet their shoes and she wakes Ali up. Ali gets up and gets the shoes right in time. No matter what happens Ali makes sure nothing happens to these shoes a lesson learnt well. Majid Majidi, 23:57, 24:05, 24:25) When one of the shoes slips off her foot into the gutter full of water, she gets fed up of this sharing and tells Ali that sheââ¬â¢s going to tell their father. Ali tells her heââ¬â¢s not afraid of the beating that he might get but he thought she would understand that their father is the one who will get upset for not being able to buy a pair of shoes and that heââ¬â¢ll have to take a loan and if he gets in debt, so on and so forth. (Majid Majidi, 29:45, 29:58, 30:21) Ali tries to make his little sister understand the concept of self-sacrifice.Another scene where Aliââ¬â¢s emotional side comes to play is when he says no to his friendââ¬â¢s request to come to play in the finals for the football league. H e maintains his principals and recognizes his responsibilities when he answers negatively, stating that his mother is ill. (Majid Majidi, 32:20, 32:44) If you want a heart-melting scene of kindness to ones sibling look no further. Ali gets one of the highest marks in his Mathematics class and thus receives a pen as a gift. He runs home to find Zahra still not talking to him, to makeup he gives her this pen without thinking twice. Majid Majidi, 34:00, 34:21, 34:40) This is a true example of giving. Respecting his old neighbours, and giving them a bowl of hot soup, Ali is rewarded with a handful of nuts, raisins and sugar balls for which his very thankful. (Majid Majidi, 35:40, 36:20, 36:25, 36:30) Another crisis that takes place is when the principal catches Ali coming in late for the third time. This time he tells Ali to go back home and come back with his father. Ali tries to explain that his father works all the time and his mother is sick but the principal just thinks the boy is making excuses because he is afraid.He goes out crying but gets allowed back into the school with the intercession of his teacher. (Majid Majidi, 43:05 ââ¬â 43:55) 6 Ali like his father helps at the local mosque. Ali does the humbling job of putting all the shoes of the worshippers in order with his friends and then later on is called to serve the tea to all of those attending. (Majid Majidi, 46:40, 46:43, 47:40) Ali always listens to his parents never once disrespecting them even though as a child he is burdened with many chores.Aliââ¬â¢s ability to play with a child heââ¬â¢s just met who is from a completely different background to him shows Aliââ¬â¢s ability to interact without judgment just enjoying the present. (Majid Majidi, 56:25) When Ali finds out that the third price of the national race is sports shoes he goes straight to the P. E. teacherââ¬â¢s office to out his name down for the race. He insists on this to the point of tears and promises to come first, t he teacher cannot say no to Aliââ¬â¢s tear stained face. This illustrates that Ali is focused on compensating for a mistake he committed and making his sister happy.As soon as he reaches home he does not wait a minute in telling her the good news. (Majid Majidi, 1:07:50, 1:08:12, 1:09:05, 1:10:08) All through the race Ali has flashbacks of his sister running back home to give him his shoes back for school and he hears her voice asking about the shoes. This motivates him to the point where he even is pushed over but stands right back up and continues to run. (Majid Majidi, 1:15:10, 1:18:26) In the end Ali wins first prize accidentally, which is good for everyone except him whose soul purpose was to win the shoes for his sister.He goes back home disappointed and ashamed not knowing in the end that the father bought both them a new pair of shoes each. (Majid Majidi, 1:21:10, 1:22:03, 1:23:00, 1:23:30) In the end we see Ali sitting with his blistered feet in the fountain with all the golden fish surrounding his feet (Majid Majidi, 1:24:50) as if the good actions and intentions, attracted them to him likewise attracting all those who watched this film. In conclusion, we see that Majid Majidiââ¬â¢s child hero character, Ali, makes the audience empathise with him for his innocence, realness, innate goodness and his naturalness.He really gets the message across; problems in society, how one should act responsible when they make a mistake, respecting oneââ¬â¢s family, self sacrifice and so much more. This movie is completely with in the regulations Iran has set yet it identifies not only with the Iranian people rather by all of the world. ââ¬Å"What follows is a beautiful telling of a childhood adventure, a touching portrait of sibling-hood, and among other things, an immersive portrayal of life in poverty. The film is surprisingly poignant, and quietly gives us different perspectives on the lives of others by literally putting us in their shoes. (Nadir Siddi qui, 2012) 7 Reference List Aronson, L. (2001) Screenwriting Updated. Los Angeles: Silman-James Press, p. 88. Bachehaye Aseman (The Children of Heaven) (1997) [dvd] Iran: Majid Majidi. Filmjournal. com (n. d. ) CHILDREN OF HEAVEN, THE. [online] Available at: http://www. filmjournal. com/filmjournal/esearch/article_display. jsp? vnu_content_id=100 0698253 [Accessed: 20 Aug 2012]. Grosoli, M. (2012) The Privileged Animal: The Myth of Childhood and the Myth of Realism According to Andre Bazin. Red Feather Journal (online), Volume Two, Fall 2011 (Issue Two), p. 59, 60. Holman, R. 2006) ââ¬Å"Caught Between Poetry and Censorshipâ⬠: The Influence of State Regulation and Sufi Poeticism on Contemporary Iranian Cinema. Senses of Cinema (online), Film & History Conference Papers (41). Issa, R. and Whitaker, S. (1999) Life and Art: The new Iranian cinema. London: National Film Theatre, p. 36, 37. Jones, J. (2000) Children of the revolution. The Guardian, [online] Friday 14 July. Availabl e at: http://www. guardian. co. uk/film/2000/jul/14/culture. features1 [Accessed: 18 Aug 2012]. Maslin, J. (1999) The Children of Heaven (1997) FILM REVIEW; For a Pair of Sneakers, Longing, Lies and a Plan.The New York Times, [online] 22 January. Available at: http://movies. nytimes. com/movie/review? res=9F03E3DB1130F931A15752C0A96F958 260 [Accessed: 20 August 2012]. Sadr, H. (2006) Iranian Cinema: A political history. London, New York: I. B. Tauris. Screenonline. org. uk (n. d. ) BFI Screenonline: Children on Film. [online] Available at: http://www. screenonline. org. uk/film/id/446281/index. html [Accessed: 18 Aug 2012]. Senses of Cinema (2006) ââ¬Å"Caught Between Poetry and Censorshipâ⬠: The Influence of State Regulation and Sufi Poeticism on Contemporary Iranian Cinema | Senses of Cinema. online] Available at: http://sensesofcinema. com/2006/41/poetry-censorshipiran/ [Accessed: 19 Aug 2012]. Shepard, I. (2010) Representations of Children in the Pixar Films: 1995-2009. Re d Feather Journal (online), Volume One Spring 2010 (Issue One), p. 7, 9. Siddiqui, N. (2012) Weekly Classics: Children of Heaven. Dawn, [online] 1 June. Available at: http://dawn. com/2012/06/01/weekly-classics-children-of-heaven/ [Accessed: 20 August 2012]. Tapper, R. (2002) The New Iranian Cinema. London, New York: I. B. Tauris.
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